Pour l’image- Philippe Hurel

Click the link to learn more about Philippe Hurel’s Pour l’image! In this piece, Linglan Zhu explores the musical transitions in the opening of Pour l’image. Zhu notes, “Two large-scale transitions happen consecutively within the first 60 measures of this piece, each of which showcases a set of different orchestration techniques that effectively modulate listeners’ perception.”

Previous
Previous

Musical collaborations, timbre, and recorded sound

Next
Next

Musicians Auditory Perception (MAP)