Counterpoint and orchestration as a way to enhance the energy
MOV. I, bars 170 (4th beat)
to 185 (4th beat)
This page contains example recordings from the ODESSA recording session. The subject is listed and the excerpts are the recording of the each of these studies. The Overview section has the final mix of the orchestra, the tonemeister’s balance between all mics. Each following section has example recordings of the different mics and mic placements for each excerpt.
Subject 5, Excerpt A: strings only, thematic and motivic counterpoint
Subject 5, Excerpt B: Winds and brass only
Subject 5, Excerpt C: Tutt;: full orchestration